French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | After bath | Causerie | Bath | Milliners (nn02) | The cotton company of New Orleans |
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EERTVELT, Andries van
Flemish painter (b. 1590, Antwerpen, d. 1652, ?) Flemish painter. He enrolled as a member of Antwerp's Guild of St Luke in 1609. In 1615 he married Catherine Vlieger (d 1627), after whose death he went to Genoa, where he worked for Cornelis de Wael. By c. 1630 he was back in Antwerp, where he had his portrait painted by Anthony van Dyck (1632; Augsburg, Schaezlerpal.). In 1633 Eertvelt married Elisabeth Boots, probably a daughter of the Antwerp painter Jan Boots (b before 1620). Eertvelt is regarded as the first Flemish marine painter. Over the years his palette and style changed. His first paintings, mostly of ships in storms (e.g. Sea Battle in a Storm; Schwerin, Staatl. Mus.), were painted in greenish-black and brown tones, often using white to highlight the rigging against the dark sea. After his tour of Italy he favoured views of southern harbours, with calm seas painted in soft tones (e.g. Spanish Ships Leaving a Port; Vienna, Ksthist. Mus.). In his day Eertvelt was a man of distinction whose artistic qualities were praised by the poet Cornelis de Bie and whose marine paintings were appreciated abroad, some being exported as far as Seville and Lisbon.
John Mix Stanley
A famous painter of Indians and Indian scen . American , 1814-1872 American , 1814-1872,was an American painter of landscapes, portraits and Native American life. He was born in Canandaigua, New York and orphaned at the age of 12. At age 14, Stanley became an apprentice to a coach maker. Looking for better work, he moved to west in 1832 and became a painter of signs and portraits. In spring 1843 Stanley accompanied the party of Indian agent Pierce M. Butler to the Tehuacana Creek Council. At the outbreak of the Mexican War in 1845, John Mix Stanley joined Colonel Stephen Watts Kearney's expedition to California and produced many sketches and paintings of the campaign. He traveled to Hawaii in 1848 and spent a year painting portraits of members of the royal family. He traveled across the Isthmus of Panama in 1853. He also painted Comanche warriors in their natural environment. He moved to Detroit in 1864 and remained there for the rest of his life. Stanley helped to found a forerunner of the Detroit Institute of Arts and to incorporate the National Gallery and School of Arts. Stanley's primary interests and sympathies were with the Indians. The Smithsonian exhibited his pictures, but Congress never appropriated monies for them. More than 200 of his works were destroyed in the Smithsonian fire of 1865.
Trophime Bigot
Trophime Bigot (1579-1649/50), also known as Theophile Bigot, Teofili Trufemondi, Candlelight Master, Maître e la Chandelle, was a French painter of the Baroque era, active in Rome and his native Provence. Bigot was born in Arles in 1579, where he began his artistic career. Between 1620 and 1634, Bigot was in Italy, including Rome. He is known to have been in Arles in 1634, where he painted the altarpiece Saint Laurent condamne au supplice (Saint Laurence Condemned to Torture) and Assomption de la Vierge (Assumption of the Virgin) for local churches. Between 1638 and 1642, he lived in Aix-en-Provence, where he painted another Assumption of the Virgin. He returned to Arles in 1642, and divided his activities between this city and Avignon, where he died around 1650.